lists various book of hours
http://guides.lib.fsu.edu/content.php?pid=108737&sid=818212
Catherine Cleves book of hours
http://www.themorgan.org/collections/works/cleves/manuscript.asp?page=1
speed art museum
http://www.speedmuseum.org/book_of_hours/
book of hours of Louis XII
http://www.vam.ac.uk/content/articles/t/the-book-of-hours-louis-xii/
Wednesday, September 7, 2011
Sunday, June 26, 2011
something to write on later
I'll write up this post later -- right now I am jus t pasting in some things I want to remember to write on later.
http://www.metmuseum.org/toah/works-of-art/42.57.1
http://www.metmuseum.org/toah/images/h2/h2_42.57.1.jpg
The Drowning of Britomartis, 1547–59
Probably designed by Jean Cousin the Elder (French, ca. 1500–ca. 1560); possibly woven by Pierre II Blasse and Jacques Langlois (both French, active 1540–60)
Wool and silk
This tapestry is from a set depicting scenes from the story of Diana probably made for the château of Anet, about forty miles west of Paris, which was the chief residence of Henry II's mistress, Diane de Poitiers. She herself, born in 1499, was named after the goddess, a sign that the Renaissance, with its emulation of classical antiquity, had come to France.
The inscription in French verse on the upper border of the tapestry tells the story depicted:
Britomartis, pursued by Minos, who wished to take her by force in the woods, greatly preferred to end her life in the sea rather than submit to his outrageous will. Accordingly, wishing to give her fame for her death, Phoebe [Diana] invested fishnets and snares, with which the body was brought to a holy place, and since then the Greeks have called her Dictynna ["fishnet"]. O holy death, that gave such a valuable thing to the world by means of such a misfortune!
Diana stands in the center of the tapestry, a crescent on a support above her forehead. To the right, the drowning Britomartis raises one hand above the water. In the middle distance, Minos, king of Crete, stands looking into the water with his arms raised in astonishment, while Britomartis' body is being fished out of the water to the right. In the left background we see Minos pursuing Britomartis, and farther back, to the right, Diana hands a net to two men.
The version of the story shown here is not precisely that found in the writings of any classical author, and the invention of the net by Diana does not seem to be a classical idea at all. It is here in order to glorify Diane de Poitiers, who is portrayed in the guise of the goddess. The borders of the tapestry are marked by the Greek character delta and other symbols of Diane.
This is one of the richly colored and beautifully designed tapestries that once may have decorated the main halls of the Château at Anet, which was built from 1557 onward for Diane de Poitiers, mistress to King Henri II of France.
http://www.flickriver.com/photos/28433765@N07/tags/licorne/
Photos tagged with licorne
http://www.flickr.com/photos/28433765@N07/3312486196/
Tapestry no. 2: The Unicorn is found (detail)
http://www.metmuseum.org/toah/works-of-art/42.57.1
http://www.metmuseum.org/toah/images/h2/h2_42.57.1.jpg
The Drowning of Britomartis, 1547–59
Probably designed by Jean Cousin the Elder (French, ca. 1500–ca. 1560); possibly woven by Pierre II Blasse and Jacques Langlois (both French, active 1540–60)
Wool and silk
15 ft. 3 in. x 9 ft. 6 in. (4.65 x 2.9 m)
Gift of the children of Mrs. Harry Payne Whitney, 1942 (42.57.1)
Gift of the children of Mrs. Harry Payne Whitney, 1942 (42.57.1)
Not on view Last Updated June 1, 2011
This tapestry is from a set depicting scenes from the story of Diana probably made for the château of Anet, about forty miles west of Paris, which was the chief residence of Henry II's mistress, Diane de Poitiers. She herself, born in 1499, was named after the goddess, a sign that the Renaissance, with its emulation of classical antiquity, had come to France.
The inscription in French verse on the upper border of the tapestry tells the story depicted:
The version of the story shown here is not precisely that found in the writings of any classical author, and the invention of the net by Diana does not seem to be a classical idea at all. It is here in order to glorify Diane de Poitiers, who is portrayed in the guise of the goddess. The borders of the tapestry are marked by the Greek character delta and other symbols of Diane.
This is one of the richly colored and beautifully designed tapestries that once may have decorated the main halls of the Château at Anet, which was built from 1557 onward for Diane de Poitiers, mistress to King Henri II of France.
http://www.flickriver.com/photos/28433765@N07/tags/licorne/
Photos tagged with licorne
http://www.flickr.com/photos/28433765@N07/3312486196/
Tapestry no. 2: The Unicorn is found (detail)
New York City, Metropolitan Museum, The Cloisters
The Unicorn Tapestries on “the hunt of the unicorn”
Series of seven Flemish tapestries from around 1500 CE
The Unicorn Tapestries on “the hunt of the unicorn”
Series of seven Flemish tapestries from around 1500 CE
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